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the arcades of the Colosseum lit at dusk, with the Palatine Hill and cypresses in the background
Destination · Italy

Rome

Rome is not visited in chronological order: you walk through it. In one morning you go from the travertine of the Colosseum to the dome of the Pantheon, and by the afternoon you are standing in front of a Caravaggio in a church with no ticket desk. Here you will find guides to the stops worth the queue, the works worth looking for and the itineraries I built on foot.

3 articles

Start here

If this is your first time in Rome, start with these three. The Colosseum is timed entry and the same ticket covers the Roman Forum and the Palatine; at the Vatican Museums the only way past the queue is to book. The Pantheon is the quickest of the three and sits halfway between the other two, so it works well as a break.

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6 articles

Ancient Rome

The Colosseum ticket also covers the Roman Forum and the Palatine, so it pays to see them one after the other rather than spread them across three days. Ostia Antica is the alternative to Pompeii that sits half an hour from Rome: a whole city, with its streets and its houses. And what was dug out of these places ended up in the Museo Nazionale Romano, which is where you understand what you have just seen.

6 articles

The museums of ancient Rome

Six venues holding what has been dug up in the city, and hardly any organised tour goes near them. The sites of the Museo Nazionale Romano are covered by a single ticket, valid for a week. Trajan’s Markets open every day, Monday included, and that fact alone rearranges a whole itinerary. The Centrale Montemartini is the only one outside the centre, and its statues stand among the engines of a power station.

6 articles

Museums and galleries

The Galleria Borghese admits visitors in timed slots and booking is compulsory for every ticket, free ones included: book that one before the others. The Doria Pamphilj is not a museum, it is the home of a family that still lives there, with the paintings hung where the men who bought them put them. The Capitoline and Palazzo Barberini are the two you can take slowly.

6 articles

The collections off the circuit

Six collections the Roman museum circuit skips, almost always for a practical reason. The Galleria Colonna opens on Friday and Saturday morning and that is all, Villa Farnesina closes at 14:00 and stays shut on Sundays apart from the second of the month. The Galleria Corsini is already inside the Palazzo Barberini ticket, which lasts twenty days, the Napoleonic Museum is free, and the Museo delle Civiltà is out at the EUR and holds four museums together. Villa Giulia is the largest of the six and is in the middle of a rehang: check which rooms are open on the day you go.

6 articles

The small museums

Six collections that take an hour each and that almost no visitor to Rome opens the door of. The Museo delle Mura, inside Porta San Sebastiano, is free, but the walkway along the Aurelian Walls has been closed for works since June 2026. The Museo Carlo Bilotti and the Museo Pietro Canonica are both inside Villa Borghese and share a combined ticket. The Museo di Roma in Trastevere holds the hundred and twenty Roesler Franz watercolours, which is to say the city demolished to build the Tiber embankments.

2 articles

Inside the villas

Two houses inside two villas. The Casina delle Civette, in Villa Torlonia, is the museum of Art Nouveau stained glass, and until 29 November 2026 the ticket includes an exhibition on Paolo Paschetto, who designed the emblem of the Italian Republic. Villa Medici, on the Pincio, is the French Academy: the garden and the Studiolo can be seen only on a guided tour, and the villa is closed on Tuesdays.

3 articles

The twentieth century and beyond

Three collections that in Rome always come after the ancient world, and together they cover two centuries. The Galleria Nazionale holds nearly twenty thousand works and almost no visitors. The MAXXI is first of all Zaha Hadid’s building, and its collection is seen through a display that changes. Palazzo Merulana is private: ninety pieces of the Roman School in a building left empty for half a century.

12 articles

The works not to miss

Monographs: a single work, or a single cycle, told in full. They are scattered between the Vatican Museums, the Galleria Borghese, St Peter’s and the churches of the centre, and they are the cases where knowing what to look for genuinely changes what you see.

6 articles

Churches

Churches are the free part of Rome, and they are no consolation prize: Santa Maria del Popolo holds Caravaggio, Raphael, Bernini and Carracci in the same building, with no ticket desk. St Peter’s is the exception, because the basilica is open to walk into but climbing the dome is separate. Bernini and Borromini make the list longer on their own: San Carlino, Sant’Ivo and the four free stops of the Borromini itinerary, plus the churches in the centre where Bernini left a statue or a chapel.

3 articles

Fountains

Three fountains and three periods. The Trevi is the one everyone knows and the only one that needs a strategy about timing. Bernini’s Triton sits in a square you cross without noticing it. The Naiads are in front of Termini station, so they are probably the first thing you see when you arrive.

3 articles

Buildings that changed job

Three constructions that now do a different job from the one they were built for. Castel Sant’Angelo is Hadrian’s mausoleum turned fortress, papal residence, prison and barracks. The Ara Pacis is an altar reassembled piece by piece and closed inside a glass case, twice within a century. Palazzo Braschi is the last palace a pope had built for a nephew, and it has become the museum of the city.

3 articles

Unexpected Rome

Three places the tours never reach. Through the keyhole of the Priory of Malta, on the Aventine, you see the dome of St Peter’s framed by an avenue of hedges. Coppedè is more a corner than a district and you can walk it in half an hour. Villa Torlonia earns the detour for its little houses.

2 articles

Itineraries

Two ways of putting everything else in order. If you have three days, the itinerary is already built and it accounts for the distances, which in Rome are the variable that ruins plans. If you only need to decide which museums, the other guide compares them and tells you which day each one closes.

6 articles

All the Rome guides

This is where everything that does not belong to a single block ends up: the short history of the city, if you want the context before you go, and the places that fit more than one category.

Exhibitions on now in Rome

All the guides to Rome
  • closes in 2 days Angeli. Messaggeri, custodi e viandanti Musei Capitolini
  • closes in 9 days States of Uncertain Domesticities Museo Carlo Bilotti, Aranciera di Villa Borghese
  • closes in 9 days Roma in moneta. Arte e potere nella storia della città eterna Vittoriano, Museo Centrale del Risorgimento e Ala Fori Imperiali
  • closes in 15 days LIVING! Julian Beck pittore RIPENSE, Accademia Nazionale di San Luca
  • closes in 16 days Marina Bindella. Cosmografie Museo Carlo Bilotti, Aranciera di Villa Borghese
  • closes in 16 days AEGYPTUS. Dal Nilo al Mediterraneo Museo dell’Arte Salvata, Aula Ottagona delle Terme di Diocleziano
  • closes in 16 days Miriam Cahn. Ciò che mi guarda MACRO, Museo di Arte Contemporanea di Roma
  • closes in 16 days Moda in luce 1955-1975. Roma fra glamour e innovazione industriale Musei Capitolini, Centrale Montemartini
  • closes in 16 days Vitalità dell’architettura italiana 1946-2026 MAXXI, Museo nazionale delle arti del XXI secolo
  • closes in 16 days Divina d’Acciaio. La statua-ritratto di Maria Callas Museo di Scultura Antica Giovanni Barracco
  • closes in 23 days Fuochi sul Tevere. Roma attraverso gli occhi di Kanutas Ruseckas Museo nazionale di Castel Sant’Angelo, appartamento del Castellano
  • closes in 23 days LAS GRIETAS. Sulle tracce di una fantasia Museo di Roma in Trastevere
  • closes in 23 days Artiste Contemporanee a Casa Andersen. Il corpo come dimora Museo Hendrik Christian Andersen
  • closes in 30 days Sotto una buona stella Musei di Villa Torlonia, Casina delle Civette
  • until 6 December 2026 Fulco Pratesi. Acquerelli Pionieri Museo di Roma in Trastevere
  • until 13 December 2026 Diego Rivera e la costruzione dell’arte moderna in Messico nel XX secolo Musei Capitolini, Villa Caffarelli
  • until 31 December 2026 Il Ritorno degli Eroi Museo Nazionale Etrusco di Villa Giulia
  • until 31 December 2026 Memorie sommerse. I bronzi del Ponte di Valentiniano Museo Nazionale Romano, Palazzo Massimo alle Terme
  • until 3 January 2027 Dayanita Singh. Archivio Museo Nazionale Etrusco di Villa Giulia
  • until 4 January 2027 Il non finito: fra poetica e tecnica esecutiva Musei Capitolini
  • until 10 January 2027 Il barocco italiano a Dresda Museo Napoleonico
  • until 10 January 2027 Frank Horvat Terme di Caracalla
  • until 18 January 2027 Soleil noir. Pétrole et art contemporain Villa Medici, Accademia di Francia a Roma
  • until 31 January 2027 Marialba Russo, “Sguardo rovescio” MACRO, Museo di Arte Contemporanea di Roma
  • until 31 January 2027 Richard Avedon. In the American West. 1979-1984 Palazzo Esposizioni Roma
  • until 6 February 2027 The Greeting di Bill Viola Parco archeologico del Colosseo
  • until 7 February 2027 Pontormo Scuderie del Quirinale
  • until 7 February 2027 Sophie Calle. Matrimoni, Rotture e Funerali inclusi MAXXI, Museo nazionale delle arti del XXI secolo
  • until 7 February 2027 GAM 100. Un secolo di Galleria comunale 1925-2025 Galleria d’Arte Moderna
  • until 14 February 2027 Kandinsky Palazzo Bonaparte
  • until 28 February 2027 Elisa Montessori. Nel corso del tempo Musei di Villa Torlonia, Casino dei Principi
  • until 28 March 2027 Andy Warhol. Forever Love La Vaccheria
  • until 11 April 2027 Keith Haring Museo di Roma, Palazzo Braschi