What to see in L’Aquila in two days: the city that came back, monument by monument
What to see in L’Aquila in two days: Collemaggio and the Perdonanza, the MuNDA back in the castle, San Bernardino, the 99 spouts and the MAXXI.
What to see in L’Aquila in two days: Collemaggio and the Perdonanza, the MuNDA back in the castle, San Bernardino, the 99 spouts and the MAXXI.
What to see in Aosta in one day: the reopened Roman theatre, the arch of Augustus, the cryptoporticus, two 11th-century fresco cycles and the megalithic area.
The frescoed façades of Trento: the Cazuffi and Rella houses in Piazza Duomo, Palazzo Geremia on Via Belenzani, who painted them and how to look at them.
The Council of Trent and art: the 1563 decree on sacred images, who turned it into rules and how paintings really changed in the century that followed.
The Falcomatà seafront in Reggio Calabria: the Greek walls of Dionysius, the Roman baths, the Aragonese Castle and the truth about the d’Annunzio quotation.
The Palombaro Lungo of Matera: the cistern under Piazza Vittorio Veneto, five million litres, rediscovered in 1991, and the water system of the Sassi.
Matera cathedral, reopened in 2016: the sixteen-spoke rose window, the Madonna della Bruna of 1270, the Last Judgement and the stone nativity.
Reggio Calabria Cathedral, rebuilt after the 1908 earthquake: the facade, the Blessed Sacrament Chapel taken apart and put back piece by piece, and the hours.
Trento Cathedral and Santa Maria Maggiore, the two Council churches: the spiral staircases, the early Christian basilica, the crucifix and the organ loft.
The Cycle of the Months in Torre Aquila, Trento: the snowball fight, the grape harvest, the lost month and how the timed visit actually works.
The Civic Art Gallery of Reggio Calabria: the two panels by Antonello da Messina, the seventeenth century of Mattia Preti and Luca Giordano, hours and visiting.
The Sassi of Matera: what separates the Caveoso from the Barisano, how a cave house worked and the story of the 1952 evacuation up to UNESCO.
Buonconsiglio Castle in Trento: Castelvecchio, Bernardo Cles’s Magno Palazzo, the frescoes by Romanino and the Dossi, opening hours and tickets.
The Crypt of Original Sin near Matera: the eighth-century frescoes of the Painter of the Flowers, the 1963 discovery and how to book the visit.
The National Archaeological Museum of Reggio Calabria level by level: the sanctuaries of Locri, the pinakes, the bronzes from the sea and the works out on loan.
The Riace Bronzes in Reggio Calabria: the 1972 discovery, how to look at the two statues, forty years of restoration and how entry to the room works.
The rock churches of Matera: Santa Lucia alle Malve, the Madonna de Idris and San Pietro Barisano in the Sassi, the Murgia park and the new ticket.
What to see in Trento in two days: Buonconsiglio Castle, the Cycle of the Months, the cathedral, Santa Maria Maggiore and the frescoed façades.
What to see in Reggio Calabria in one day: the Riace Bronzes, the Magna Graecia museum, Antonello at the art gallery, the cathedral and the Greek walls.
Raphael’s birthplace in Urbino: Giovanni Santi’s workshop, the disputed fresco, and a few steps away the cathedral with the Albani Museum.
What to see in Urbino in one day: the Ducal Palace, the Flagellation, the Studiolo, Raphael’s house, the cathedral, with hours and the Monday to avoid.
Piero della Francesca’s Flagellation and the Ideal City: the identity of the three men, the contested attribution and the twin panels in Baltimore and Berlin.
The Oratory of San Giovanni Battista in Urbino: the Salimbeni frescoes dated 1416, the Crucifixion and Brandani’s nativity at San Giuseppe next door.
A guide to the Ducal Palace of Urbino and the National Gallery of the Marche: history, rooms to see, hours and tickets checked in September 2026.
The Studiolo of Federico da Montefeltro in Urbino: the trompe-l’oeil inlays, the famous men and the restoration reopened in 2025 amid discoveries and disputes.
The Oratory of San Bernardino in Perugia: the polychrome facade carved by Agostino di Duccio between 1457 and 1461, with hours, free entry and what to look at.
Underground Perugia: the Rocca Paolina with the medieval quarter buried in 1540 and the Etruscan Well of the third century BC, with opening times and prices.
The Fontana Maggiore in Perugia, carved by Nicola and Giovanni Pisano between 1275 and 1278: the months, the zodiac, the liberal arts and Aesop.
The Collegio del Cambio in Perugia: the Sala dell’Udienza frescoed by Perugino between 1498 and 1500, his self-portrait and the plaque that praises him.
The works to see at the National Gallery of Umbria in Perugia: Fra Angelico, Gentile da Fabriano, Arnolfo di Cambio, Piero della Francesca and Perugino.
The Borgo Teresiano of Trieste: the Grand Canal, Sant’Antonio Taumaturgo, the Serbian Orthodox temple of San Spiridione and the churches of the free port.
Miramare Castle in Trieste: the building site opened in 1856, the Castelletto, the study shaped like a ship’s cabin, the twenty-two-hectare park and the curse.
Trieste Cathedral of San Giusto: the Byzantine mosaics in the side apses, the Roman propylaeum inside the bell tower, the 5th-century floor and the castle.
What to see in Perugia in 2 days: the National Gallery of Umbria, the Collegio del Cambio, the Fontana Maggiore, the Rocca Paolina and the Etruscan Well.
The Revoltella Museum in Trieste: the marble group of the Suez canal, De Nittis’ Lady with a Dog, Veruda and the sixth floor by Carlo Scarpa.
The Risiera di San Sabba, the only Nazi camp with a crematorium in Italy: the history of the camp, Romano Boico’s memorial, opening hours and free entry.